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on the Zimbabwe side of the Zambezi
From his studio in Fort Collin
His images have always boasted simplicity rather than shying away from it and his season of choice in Japan was invariable winter
The film is so removed from the norm that it is difficult to base a critique on comparatives
he has also helped develop my working relationship with the Kenyan Wildlife Service (KWS) who oversee and support my work in Amboseli
Between Worlds southwest on the Zimbabwe side of40" x 48" Oil on Cradled Panel This piece quietly reflects the relationship between tradition and the forward march of technology, represented by the train tracks beneath the rider. The idea parallels the way modern generations are confronting AI and rapid technological change much like past generations faced their own transformations. The narrative is intentionally subtle, inviting personal interpretation.