Abstraction Resting on a Red and White Checkered Tablecloth Tray artist-Suzanne Treister Artschwager's exhibition at the Serpentine

Artschwager's exhibition at the Serpentine in 2001 included pieces from his early furniture-like objects and marble-effect Formica pieces of the 1960s

while Serpentine Galleries’ Co-Director Hans Ulrich Obrist considers the influence of maps on artistic creativity

South Africa) has been creating large-scale and site-specific works for over eight decades

placing art

DESIGN TEAM

Abstraction Resting on a Red and White Checkered Tablecloth Tray artist-Suzanne Treister Artschwager's exhibition at the SerpentineSerpentine unveils a new body of work by the celebrated British artist, comprising five still lifes alongside five portraits that depict members of the artists close circle, including his family and carers. These paintings are united by their frontal composition and by the recurring motif of a gingham tablecloth that provides the setting for each composition. In these new works Hockney combines abstract and figurative modes of representation. For the